Why
did you choose to become a designer?
I chose
to be a designer because of my passion for creativity. Design allows me to
bridge aesthetics and functionality, bringing ideas to life and transforming
them into impactful realities. It's a field where I can continuously learn,
innovate, and contribute to improving people's experiences.
Where
do you find inspiration? (for the contest chair design)
My
primary inspiration was visionary fashion designer Iris Van Herpen. Her
collections incorporate principles of femininity and empowerment, wonderfully
merging craftsmanship with innovation. The dress from her 2012
'CAPRIOLE' collection particularly caught my eye, as it takes
inspiration from biomechanics, creating a harmonious link with nature.
What
is your creative process?
My
creative process starts with the concept of embracing nature, which is
reinforced by the upholstery used in the chair and symbolizes the infinite
mysteries found in the collection. When designing a chair for spaces like
restaurants, my goal is to create a unique blend of past, present, and future,
incorporating feminine body lines and natural elements through the lens of
biomimicry. This approach reflects the study and application of construction
principles found in nature, allowing the chair to serve as a reflection of
nature juxtaposed to an artificial environment. The chair's distinct shapes
capture the essence of innocence, representing a meaningful expression of
harmony.
What
was the impact of winning the ESAD contest?
Winning
the ESAD contest had a profound impact on my career, boosting my confidence
while enhancing my professional reputation. Overall, it propelled my career
forward, fueling my passion for design and expanding my skill set.
When
designing a chair, what do you think is the most important feature?
When
designing a chair, I believe the most important feature is achieving a
harmonious balance between comfort and aesthetics. It's crucial to create a
chair that not only visually attracts users but also offers optimal support and
ergonomics for a comfortable seating experience. Moreover, it's essential to
consider the chair's functionality and its adaptability to various spaces and
users' needs in its design.
Why
do you think it's essential for students to visit manufacturers' factories?
It's
important for students to visit manufacturers' factories to gain hands-on
insight into the production process and to foster a comprehensive understanding
of design through real-world application.
What
would you say is the future of design? Or the next big thing?
The
future of design lies in the seamless integration of technology and
sustainability, where innovative solutions address pressing global challenges.
The next big thing in design is likely to revolve around sustainable practices,
circular economy principles, and the emergence of transformative technologies
like artificial intelligence and augmented reality.
Tell
us about a project that has been your greatest achievement (so far)
One of
my most significant projects was creating the Bio Chair for CM chairs, which
gave me the opportunity to follow the design journey from start to finish. It
was a rewarding experience to see my design come to life and make an impact in
the furniture world.
Where
do you see yourself in 10 years?
In 10
years, I see myself actively contributing to the furniture industry with
innovative visions of sustainable design. Additionally, I aim to explore and
incorporate augmented reality technologies into my work, creating immersive and
transformative experiences in the realm of furniture design.
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